Inter-Relationships of Chords

        When using poly-tonality, the chords become distinguished in there
own keys, but not the same while using poly-modality.  By this we can
observe that it is available to fashion chords freely, intermeshing as
needed.  That is to say, sequence transferring, mode swings,
inter-relationships may be used readily.

        It is also possible to inter-relate one chord to another.  That is
to say, taking chords - Impression of Opposition (Mode 1) 566-514-1 and
Expression of Belief (Mode 4) 666-562-4 - and facilitating the Rotation
Table we may result new stringed tones.

         566-514-1
        &666-562-4
        ----------
         266-503-6

This is neither symmetrical nor mixed symmetrical, but it gives the
combinative effect of both proper chords.  If this is so then Mode 6 is a
possible combination of Modes 4 & 1, even in the same description of
forces.

        Inter-relating chords by the means of the formulas given, it
becomes tangible to have chords or modes that don't include all scalar
degrees.  Yet they all maintain the characteristics of diatonic tonality.
It is, however, possible to have an alternative or synthetic quality in
scales by also applying polytonality and when these chord are meshed.

        Now the interpretation is, just say using the key of F, 266-503-6
Reads as:  E# G# F# E# - C# C# F# - E#, (the second C# being an octave
higher) and its sequences are to follow in the same manner mentioned
earlier.  At this point it is too numerous to list all these, but the
formulas are simple.

        These formulas work for sequence splitting, poly-modality, and
Inter-relationships of chords.  Here
are the formulas. The correct formula needs to be used to make the system
function correctly.  To explain this, lets add a third chord:
Extroversion of Fortification (Mode 4) 624-426-4

         566-514-1
         666-562-4
   (tri) 624-426-4
         ---------
         103-034-3

        Other than poly-modality where repeats may not be counted, here
they can be and the tri-formula results the chord 103-034-3. Which in this
case, using the key of C is: C D D G - G C G - C.  The locrian mode,
therefore in certain results, may occur and be other than tonics in
intervals.