Ted Lochwyn
SAG, AFTRA, AEA
Education
M.F.A.
in acting: University of Florida –
Recipient of the Grinter Fellowship for Academic Excellence
M.A. in linguistics:
Midsummer in
B.A.
in Theatre:
Other
professional training:
Stage
dialects, musical theatre, classical and commercial voice, dance:
Improvisation:
The Groundlings,
Film/Television
Performance, Commercials: KVG Studios,
Work Experience
Acting
Recent Off-Off-Broadway appearances:
Lovers and
Other Strangers .. Jerry......... Sundog Theatre, Staten
The Ice Wolf........... Kiviog......... Sundog Theatre,
Romeo and
Juliet ........ Prince Escalus .... Staten
Beat ................ Larry ......... New Mercury Theatre Co.,
Teaching
Instructor of Theatre:
Core curriculum for theatre majors
Covers psychological realism, theatre games, voice,
movement, scene study.
I Introduced exercises drawn from Acting One, Robert Cohen.
·
Introduction to
Theatre – Text: The Essential Theatre, Oscar G. Brockett with Robert
Ball
Core curriculum for majors
Covers theatre history & literature from ancient
Students write research papers and reviews of local
theatrical productions.
I engaged students in class by assigning small group
study/discussion, academic presentation, and oral readings of the literature.
·
Additional
accomplishments:
Production participation as actor and vocal coach
Advised scholarship students.
Collaborated on departmental
Represented adjunct faculty in the College Senate.
Graduate Teaching Assistant:
·
Scholarly Writing
– Text: Technical Writing; Process and
Practice, Lois Johnson Rew
Graduate-level
research writing and oral presentation skills for international students
I
enriched course content with vocal exercises drawn from my theatre experience.
Graduate Teaching Assistant:
·
Acting for
Non-Majors
Acting
theory, applied to scene study
·
Oral Performance
of Literature
Basics
of acting theory, applied to oral readings
I
edited the class manual, used campus-wide for the course.
Directing
Pariah
Theatrics, 1998, 1999
Marie
and Bruce
Search and Destroy
Life
of an Artist
Decision-Maker's
Santa Fe Community College Theatre Program,
Gainesville, FL, 1999-2001
The Diviners
A Sense of Place
Staten Island Shakespearean Theatre,
Romeo and Juliet
Arts Administration
Director of Arts in Education: Michael Mao
Dance,
Report to Artistic Director:
· Manage the company’s nationally recognized arts-in-education programs, e.g. ESLdance™.
· Plan and lead staff development sessions for teaching artists and ESL classroom teachers.
· Appear as MC for company performances at schools.
Accomplishments:
· Tripled the contact hours of the company's educational programs.
· Received very favorable feedback from classroom faculty, students, and administrators.
Producer and Artistic Director: Pariah
Theatrics,
Direct all elements of production:
creative, technical, and financial.
Accomplishments
·
Critical
acclaim
·
Box
office success
Consultant: Lake Region Community Theatre,
Advise company founders in the process of
creating the company.
Manuscripts
and Publications
Dramatic
One-acts:
Gozi.
Public reading,
Life of an Artist. Produced in
Decision-Maker's
Monologues:
"Pluperfect Perplexity." Performed at
"Hi. I'm . . ." (part of Nothin'
But the Truth) Performed at Common Grounds,
Academic
"Theatre Exercises in the ESL
Classroom." A Publishable Paper, Presented to the Program in Linguistics of the
"Divine Intercession: Playing C.C. Showers in The
Diviners by Jim Leonard Jr." Summary of Performance Option in
Lieu of Thesis, Presented to the
Op Ed
"College
Football: Dance of War." Humor. Independent
"Our system, as it stands. . . "
Letter. TIME 11 December 2000: 30
"President Clinton's action . . . "
Letter. TIME 26 July 1993: 8.
"Soaring with Big Bird" portion of
"Focus; Who Watches That Stuff!?" Humor.